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In the vibrant and diverse scene that is St. Louis hip-hop in the twenty-teens, it's hard to stand out, but Miistro (pronounced like "Maestro") Freeyo manages to do just that.It's still relatively uncommon to see rappers playing traditional instruments — especially while covering vocal duties at the same time — so the fact that Freeyo's performances feature him accompanying himself on keyboard while both rapping and singing is simultaneously an attention-grabbing novelty and a legitimate musical asset. But the reception could have easily gone another way.…
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