Imagine if Hitchcock had decided in the late '50s that he was tired of crime and murder and wanted to make the kind of romantic melodramas Douglas Sirk was turning out at the time. That's the mood of Pedro Almodóvar's Julieta, a return to dramatic form after the horror-driven misstep of The Skin I Live In and the major stumble of I'm So Excited!…
Imagine if Hitchcock had decided in the late '50s that he was tired of crime and murder and wanted to make the kind of romantic melodramas Douglas Sirk was turning out at the time. That's the mood of Pedro Almodóvar's Julieta, a return to dramatic form after the horror-driven misstep of The Skin I Live In and the major stumble of I'm So Excited!…